Judith Wright - To another housewife - Representations of change

To another(prenominal) housewife In Judith Wrights poem, To Another Housewife, change occurs as the rudimentary motif. The composer has harnessed a variety of language techniques to publicize these changes. To Another Housewife is a dramatic monologue that dialogue virtually the changes in the value and responsibilities of a girl as she matures into adulthood. Judith Wright has scripted this to highlight the fact that many people are in this situation.         Wright uses contrast and juxtaposition to outline this change in values when the girl who had at one time detested perceive death (with tomahawk and knife we hacked/ at dirty tatters of of age(predicate) meat) has come to associate with it daily (these hands with sexual love and blood imbrued). Both cases symbolise violence and death. The contrast apparent(prenominal) is that the persona now kills with love for her family as her responsibilities have shifted; forcing her to furnish up the values she forced herself to grow up with.         irony becomes a conspicuous component in To Another Housewife. Wright applies secernate imagery to intensify the irony portrayed deep down the poem. In the past the persona made a obligation to never touch meat again after fooding expect dogs lean and loud/ half starved and furious, how they leapt/ against their chains, as though they meant/ in mindless rage for being fed/ to force our childish hands instead.

She later breaks this pact in order to hang her family. Wright uses the word greensick in the second stanza - depict as an iron-deficiency anaemia, which is highly appropriate, because red me! at contains plenty of iron.         As a child, the persona was on duty bound, to feed hungry dogs. Irony plays its role, when she mentions feeding hungry men when she becomes a housewife. The phrase some things dont change is notably appropriate in this scenario. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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