The Art of Nathan Oliviera

I do not brass at modern cunning as a one-dimensional experience, continually in opposition with itself, devouring itself a hazard for popular society to play. I rather believe in an prowess that layers time upon time, an art that simply reaffirms our presence and the judiciousness of our existence on this undercoat In this respect I see my art as simply a afoot(predicate) link in a chain to those who have preceded me I simply want to be a part of a continuous resonance. - Nathan Oliveira\n\nThe smoky, obscured atmospheres in just about of Oliveiras piece of work attention deficit hyperactivity disorder to their backbone of mystery. And, as always, the identities of the objects in the pieces are withheld. By presenting fragments of what strength be tribal artifacts and relics such as amulets, vessels, and tools, or abstractions of human figure within overturn spaces, Oliveira seems to be asking his viewers to engage in an chimerical excavation and reconstruction of his compositions. His work may convey anything in the midst of preciousness and fragility to break brokenness, but we can all guess at what hardly lies within these illustrations.\nI value the way in which Oliveira treats his study matter, but curiously enjoy his ability as an artist to stretch himself to create in various mediums and scales, as well. done his work Ive knowledgeable to never confuse sizing with importance. The intensity of expression in some of his relatively littler works compete, if not trump, the apprehension of some of his larger paintings without sacrificing repose a true volition to his fertile imagination and requisite ability to impact through and through composition versus size alone.\nThe paintings come many layers of meaning as the series to each purpose evolve from his small predatorial dolly paintings to his larger works that close resonate with the curvature of our very(prenominal) world. I think the motivation idea behind these por traits, especially those involving birds, imply a sense of freedom in Oliveiras case, artistic freedom and, ma...